Cigar Box Nation member, Bairfoot Cajun is one of the more adventurous builders in the homemade instrument movement. This double neck cigar box guitar features biscuit tin bottoms under the bridges, which deliver a great dobro-like sound. Also note the different scale lengths he uses for each neck.
If one neck is awesome, two necks are even better! We continue our weekly double-neck cigar box guitar feature with this great build from 2010 by Cigar Box Nation member, Phil Delpierre. It features a diddley bow neck that was made with two dowel rods (similar to John Lowe’s Lowebow cigar box guitars) and a three string neck on the other. Note the curled forks which serve as trapese tailpieces. Continue reading “The Art of the Double Neck Cigar Box Guitar (Pt. 2)”
I recently purchased this Beatle bass and mahogany lap steel guitar from two different sources. I got them because I have a fascination with homemade instruments, cigar box and otherwise. These two are prime examples of a person wanting a very specific instrument to play and then taking it upon themselves to build their own.
These make up some of the most exciting parts of cigar box guitar building. It’s not just about putting a stick through a box. No, it can be a lot more, especially when you challenge yourself to use as many discarded materials as possible.
Ben Baker has spent a lot of time combing the junk shops and strange alleyways, looking for inspiration. He’s written a great two-part series on junking and guitar building:
In the pantheon of great guitar makers, Ed Stilley’s work stands alone like a castaway on its own musical island. Imperfect, bizarre and some even un-tunable to the modern equal temperament scale, his crudely made stringed instruments would make the most adventurous guitar collector shudder.Continue reading “The Fascinating World of Ed Stilley’s Guitars”
From A Sawdust Heart: My Vaudeville Life in Medicine and Tent Shows – by Henry Wood as told to Michael Fedo:
Near the end of the book, Henry Wood talks about performing in the famous WLS Barn Dance in Wisconsin back in the 1940’s. As master at the musical saw, Wood went on to describe the act he created for the Barn Dance:
“Sometimes Mr. Statz would tell the audience that I’d taken over everything in the barn — cowbells, pitchforks, tin cans, milk pails, saws and chains to make music with, and there were no tools left for work. He said he fixed me. He’d lock them all up.
Well, I’d go into the audience and see if anybody had a cigar box. We’d have a plant there ho did, and I’d borrow the box and cut a hole in the top. I’d get a broom handle and attach it, then string a wire across the whole. I’d snatch a violin bow from one of the fellows int he band, and I’d play that one-string fiddle while Mr. Statz would try to make his announcements.
It always brought down the house, or more accurately, the tent or barn. When he’d grab my fiddle and break it, the band would start in and I’d still have the stage, doing a comic jig or buck-and-wing dance. ”
Check out the review of this amazing album by cigar box guitar virtuoso Captain Nemoff. If features a range of Classical-style instrumental songs arranged for and performed on cigar box guitars and other homemade instruments. Shane Speal has this to say in his review: “In my honest opinion, this is one of the greatest cigar box guitar albums in the history of the modern movement. Not only is Nemoff an incredible guitarist with one foot in the classical tradition, but he’s also got one foot firmly in the cigar box guitar ethos… mixing lo-fi acoustic and electric tones brilliantly in each piece. My heart is overjoyed as I listen to this album.”
Click here or on the image above to read the full review on CigarBoxNation.com and get the direct CDBaby preview/purchase link. This album needs to be in your cigar box guitar library!