Gitty’s Cigar Box Guitar Jamming Guides Released – The most-used chords from the most common keys

Jamming Guide for 3-string Cigar Box Guitars - Key of GWe’ve just added a great new resource to the knowledgebase: Gitty’s Jamming Guides for 3-string Cigar Box Guitar!

This collection consists of 3 printable sheets that show you all of the chords needed to play most songs written in the keys of C, G and D – majors, minors and sevenths. These were designed with jam sessions in mind – with these on the table in front of you, you’ll rarely be at a loss for how to strum along with most popular songs!

Click the image to the left to go to the knowledgebase page, where you can click to view all 3 printable jamming sheets!

 

More Cigar Box Guitar Chord Sheets Added

E Chord Forms for Cigar Box Guitar PDFMany more chord form sheets have been added to the knowledgebase here on CigarBoxGuitar.com, completing the initial series for 3-string Open G GDG cigar box guitars. We now have sheets showing all of the most common and useful chord forms (with power chords, major chords, sevenths and minors) for G, A, B-flat, B, C, D, E-flat, E and F!

We have also created a guide to reading and interpreting the chord form sheets, to help you become more familiar with the concepts if you are a new player.

This is the most comprehensive free resource that has ever been compiled for 3-string cigar box guitars, and it is only going to keep getting bigger and better!

Cigar Box Guitar Chord Forms – 3-string Open G “GDG”

G Chord Forms for Cigar Box Guitar PDFWe have added a new category to the knowledgebase here on CigarBoxGuitar.com – 3-string CBG chord forms! So far we have added G, C and D chord forms. The rest of the common chord forms (A, Eb, E, B, Bb, F) will be coming in the next few days!

Here’s what C. B. Gitty says about these chord forms:

We do not claim that this list is exhaustive or definitive, or that there aren’t other chord forms out there that some might find preferable. Some of the chords here may not even be technically what we have them labeled as… but the key thing is that they work, and they are the ones we use when playing. If one chord form doesn’t sound quite right in the song you are playing, then try a different one! We present them freely in the hope that you can make good use of them too.”